Best Film Noir

Best Film Noir – For other film noir enthusiasts, you know it’s difficult to accurately define or describe what film noir is.

Once you’ve seen enough of them, you can start to identify them based on the style and common themes that run throughout the film.

Best Film Noir

Best Film Noir

The film’s popularity peaked in the 1940s and 1950s, often referred to as the “classic period of film noir.”

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This is appropriate since film noir usually centers on the underworld or any type of crime. (Also, they are usually shot in black and white, but there are also film noirs in color.)

A typical storyline involves a tough detective solving a mystery, an organized crime syndicate, or impending doom.

The protagonist also frequently makes mistakes, again returning to the theme of the underworld, which was unusual for the 1940s.

A femme fatale is usually a woman of questionable motives or virtues (and usually a beautiful and healthy dead woman).

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Femme fatale is another French word for “dead woman” as she is usually a seductress who often brings down male characters in film noir.

Sometimes a girl isn’t that bad and can have a happy ending, but most of the time she makes guys lose interest or gets the “boy next door” role.

These girls are meant to be wholesome female characters in movies, and sometimes they’re a little too goody-two-shoes.

Best Film Noir

If the story depicts a protagonist engaging in a bank robbery to abide by the code (which movie fans often associate with “antiheroes” or “villains”), then he doesn’t want to do that. Ultimately I couldn’t escape because to do otherwise would be a clear indication of a crime.

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So, unfortunately, if you always expect a movie to have a happy ending, it’s not going to end well unless the protagonist is directly involved in a serious crime.

But that’s part of the appeal…it’s amazing to see how the filmmakers wrote the plot while still following the canon.

A shy young woman married to a wealthy man worries about her husband’s first wife in her home.

Sometimes as a drama, sometimes as a film noir, we’re not entirely sure if it’s actually a film noir, but regardless, Rebecca is a must-see for serious film fans.

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A shy young heiress marries a handsome gambler but becomes concerned that he is trying to kill her.

This classic film noir has a lot of twists and turns, so good luck with the plot!

A teenage girl begins to suspect her uncle is a serial killer, putting her own life in danger.

Best Film Noir

Newly married Paula (Ingrid Bergman) returns to her childhood home, where her aunt was brutally murdered years before.

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Another side of her begins to emerge when her new husband tries to drive her crazy for his own reasons.

Joseph Cotton plays her admirer who knows her aunt and needs to save her.

There’s also a noir-inspired detective, a gorgeous femme fatale, and some inspiring dark lighting.

Clifton Webb stars as Waldo Lydecker, the wisecracking writer who launches Laura’s career and falls in love with (or becomes obsessed with) her.

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The plot is slightly similar to Casablanca, although this time there is no story between Bogart and the wife of the opposition leader… instead he falls in love with a singer played by Lauren Bacall.

Her determination to give her children what they wanted led her to become a successful restaurateur, even leaving her husband behind.

The film begins in classic film noir style, with murder at the center, and much of the film is told from Mildred’s perspective.

Best Film Noir

This old school noir has a slightly different feel. For one thing, the femme fatale you call the protagonist is actually killed off at the beginning.

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It turns out that the other woman is actually the heroine (Alice Fahey) who falls in love with Dana Andrews and eventually marries him, but he has other agendas.

Linda Darnell is very cute in several of her scenes. Alice Fey plays the “girl next door” character.

A jealous woman cares about the love of her life, even to the point of murder.

A detective is hired to find his boss’s wife, implicating Philip Marlowe in a murder case.

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Gilda 1946 centers on Johnny (Glenn Ford), a down-and-out gambler who strikes up a deal with a casino owner and quickly becomes his top dog.

Unexpectedly, the boss returns from a business trip with Johnny’s newly married old friend Gilda (Rita Hayworth).

There’s also some 1940s fashion (mostly eveningwear) and some catchy songs to sweeten the deal.

Best Film Noir

After a man is killed by a killer, his relationship with a beautiful woman is instantly investigated.

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This is a typical noir detective film, with Bogart playing a boy coat as a private detective.

Philip Marlowe (Humphrey Bogart) is a private detective employed by a wealthy family. Two girls fought for Bogart’s attention, one of whom was Lauren Bacall. (Can you guess where it ends?)

However, the plot itself is very complicated. I watched it three times and still don’t understand what is going on.

When a man meets his mysterious childhood friend, an old murder case resurfaces.

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He is attracted to a beautiful woman and agrees to accompany her on a boat trip, only to find that he has been framed as a loser.

A man in the jewelry business would certainly testify against his associates, but are they all good people? Are they in jail or seeking revenge?

Vincent Parry (Humphrey Bogart) is a wrongly convicted murderer who escaped from San Quentin. Erin (Lauren Bacall) is the woman who saves him and helps him until he tries to prove his innocence.

Best Film Noir

It’s amazing how convinced you are of his innocence as the body count mounts, yet you don’t lose faith in him.

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Lucille Ball, in an early, non-comic role, plays a woman who works with the police to become “bait” for a serial killer.

During the investigation, she falls in love with Robert Fleming (played by George Sanders); but… Robert agrees with the murderer’s description. Is this the murderer they’re hunting?

When she left him for someone else, he plotted how to kill the man she left him for someone else. When the man was found dead, he was the prime suspect.

A man and his ex-wife hatched a plan to steal a truck after marrying a gangster.

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A woman and her boyfriend try to kill her husband, but the plot takes a turn when the boyfriend is killed.

A socialite tries to escape her abusive husband by working at a doctor’s office, but her husband won’t let her go easily.

Gene Tierney Dana Andrews Clifton Webber Ingrid Bergman Humphrey Bogart Lauren Bacall George Sanders Lucille Ball Audrey Trotter Richard De Bashart Charles Boyer Vincent Price Joan Crawford Rita Hayworth Glenn Ford Alice Fay 1940s Films

Best Film Noir

Previous Page Previous Post You’ll Love These Vintage Gorgeous 1930s Evening Gowns Next 1940s Fashion Trends – Popular Styles Still Popular Purists Film Noir John Huston’s The Maltese Falcon Released in 1941 and arguably died in 1958 with Marin. Dietrich walked the long, dark, lonely road that ended with Orson Welles.

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. While this period captured the essence of what Italian-born French film critic Nino Frank originally called film noir, the genre has continued to change, adapting to the different eras and cultures in which these films were created.

Film noir emerged with the devastation of World War II, when gangster and detective films were radically transformed by the dominance of German Expressionist aesthetics in the United States, in large part due to the influx of German immigrants. enter. Just like Fritz Lang. These otherwise dark, dry films suddenly take on a new sense of unease and wonder, their dangers and existential questions thrown at the viewer through questionable camera angles and smoke and shadows.

As the war entered its final stages and soldiers returned home, cultural norms changed in what was once an unquestionably patriarchal era. While in prison, many film noir protagonists began to feel like they were living in a new world of vulnerability, donning dirty coats and fedoras, sheltering an abusive, wisecracking man, and keeping warm at all times. Be aware of the dangers for women around you. Jean-Luc Gold once said, “All a movie needs is a gun and a girl,” and in film noir, the latter is often the most dangerous. Of course, Barbara Stanwyck’s ankle was doubled up by Billy Wilder and Edgar G. Anne Savage’s snowy vision in “Ulmer’s Move” is equally lethal.

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