Best Film Debuts – Taste of Cinema – Movie Reviews & Classic Movie Lists > Lists > Movie Lists > Top 10 Directorial Debuts of 2020
The strange year 2020 has brought many disappointments, including the closure of cinemas and the postponement of many of the year’s most anticipated films. Hence, film lovers and moviegoers should try to curb their expectations about upcoming films and enjoy what they can from the comfort of their own homes. However, that doesn’t mean new films aren’t available, and many of the films coming out don’t disappoint.
Best Film Debuts
With most releases postponed to 2021, debut directors have more room to gain exposure and recognition through on-demand releases and streaming services. Additionally, these emerging voices feel more interesting and unique compared to films made in 2020 by filmmakers and bigger budgets. With that in mind, the following list outlines the director’s top ten films of 2020. For the purposes of this list, all introductions will be narrative features, so documentaries are excluded from consideration.
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Director Darius Marter technically made his debut in 2008 with the documentary Lost and later wrote the screenplay for Derek Cianfrance’s The Place Beyond the Pines (2012), but Sound of Metal is the first narrative feature Marter has written and directed. Past experience working in various aspects of filmmaking (including editing and cinematography) has prepared him well as the film looks set for release in 2020. From the immersive sound design to the very believable acting, The Sound of Metal is a dark and hard that deserves to be seen in the cinema, but it is still a small blessing for us to be able to watch it from home. Troubled year.
The Sound of Metal is one of the best shows of the year – Riz Ahmed as Reuben Stone, a drummer who plays in a metal band with his girlfriend Lou (Olivia Cooke). Reuben and Lou seem content with their lives as traveling RV musicians, but Reuben soon faces a musician’s worst nightmare: deafness. This loss occurs suddenly and gives Marter the opportunity to show the audience what Reuben feels and hears every step of the way, which is where the brilliant sound design comes into play. Even before he loses his hearing, there is a clear intention to highlight the sounds in Ruben’s daily life so that the audience can feel the loss.
When he goes deaf, we still hear things from his perspective, and it even leaves Ruben unsatisfied with sign language subtitles before he actually starts learning them. After reluctantly accepting help from a rural deaf community, Reuben chooses to chase the past or let an uncontrollable future pass him by.
Writer/director Carlo Mirabella-Davies made early quarantine a little more interesting in 2020 with his early March release, Swallow. Before its release, Swallow had created a stir for being the only film to truly address the psychological disorder called pica, which is characterized by a desire to swallow inedible objects. Although this disorder is more common in children and some people with certain mental disorders, it is also seen in pregnant women. In Mirabella-Davis’ directorial debut, she chooses to explore its role in pregnancy, but more importantly, the trauma and stressors that can cause this disorder.
Best Acting Debuts In Film
Swallow follows Hunter (Hayley Bennett), a young woman who has spent time in complete isolation in her own home, as many of us have experienced over the past ten months. In contrast to our scenario, Hunter’s home life is initially presented as one of her own choosing—she seems content with the daily care of her luxurious home, while she dutifully waits for her future husband, Richie (Austin Stowell). Back from work. However, her almost robotic demeanor and expressions begin to slowly explode after becoming pregnant and suddenly feeling the urge to swallow small inedible objects, which in turn suggests that there is something else bubbling beneath the surface. While the premise is already unique, the real magic of this film comes from Hunter’s incredibly compelling character and important message about a woman’s ability to control her own body.
We’ve all heard the story before: a small town in the countryside, strange lights and sounds, a UFO sighting, a kidnapping. This is a common characteristic of many alien stories, and the sci-fi film The Waste of Night takes a lot of inspiration from the true story. One of them was the 1965 “UFO incident” in Kecksburg, Pennsylvania, in which an unknown fiery object fell from the sky. Of course, events like this usually have a reasonable explanation, but there are also those who claim that cities like Kecksburg are literally extraterrestrial. In The Waste of Night, director Andrew Patterson manages to capture this speculation while commenting on the narrative bias inherent in repeated stories about past events and possible futures.
The Waste of Night centers on two well-liked characters in a small town in 1950s New Mexico: telephone operator Faye (Sierra McCormick) and disc jockey Everett (Jake Horowitz). In the opening scene, when Fay and Everett excitedly interview random locals with their fancy new tape recorder, we immediately get a sense of the style and theme. After they go home at night to do their respective jobs, Fay hears a strange noise appear randomly at the Everett radio station. That night, they continued to hear strange signals and received calls from other people who claimed to have heard similar sounds or experienced other strange events.
Besides Sound of Metal, The Vast of Night is another aural experience on this list that deserves praise for its sound design, which relies heavily on conveying the strangeness of much of the story being told. Additionally, Patterson and cinematographer M.I. It features some great tracking shots that show Littin-Mens knows how to make a budget great.
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Comedy may have had a tough time in 2020 in terms of different genres. This helps make Palm Springs one of the biggest surprises of the year, especially with first-time director and writer duo Max Barbago and Andy Ciara. In retrospect, this should have been expected when Hulu and Neon paid $17 million for distribution rights after it premiered at the Sundance Film Festival and set a new record at Sundance by a slim margin. Despite its price and popularity on Hulu, Palm Springs is a very solid comedy that handles the difficult task of doing something new and interesting with the ‘time loop’ subgenre.
Andy Samberg stars as Niles, who wakes up in Palm Springs on his wedding day to girlfriend Misty (Meredith Hagner). At first, Niles seems like a very laid-back, laid-back guy who doesn’t really care about the wedding or anyone there, but there’s a slight sense that he has some problems bubbling beneath the surface. After saving the bride’s sister, Sara (Christine Miliotti), Niles and Sara save themselves from embarrassing themselves with an impromptu speech. Little does he realize that he will inadvertently be dragged into Niles’ biggest problem: continuing to live his day with no solution in sight. However, what makes this film unique compared to other films that try to take the time loop format is not the solution. Instead, it’s about the characters and their progressive development, which becomes even more enjoyable when Samberg and Miliotti have great chemistry in their lead roles.
Some of the most disturbing horror films reflect the horrific realities that some people have to face in their own lives. Australian filmmaker Natalie Erica James’ debut feature, Relic, is definitely one of those films. In our memory, its reflection is dementia, which affects many people in the world with around ten million new cases every year. While it could be described as a haunted house movie, it never feels like one, as the character relationships and dementia metaphors are clearly at the forefront.
Relic focuses on Kay (Emily Mortimer) and her daughter Sam (Bella Heathcote) after they learn that Kay’s elderly mother Edna (Robin Nevin) has disappeared from their old family home. The house is clean
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